The Crying Camel
From E*V*O*L E*Y*E-LAND*S*-END, a book made by Richard Niessen for Jennifer Tee’s participation in the 2004 Sao Paulo Biennial in Brazil.
2003
W 100 x H 70 cm (individual prints)
1 colour doublesided screenprint on black paper
Kees Maas
Design and print on fabric for object.
Nameless Swirls, An Unfolding In Presence. A collaboration of Jennifer Tee with Erwan Maheo, Roy Cerpac & Harmen Liemburg. Van Abbemuseum, Eindhoven, September 12 – November 23, 2003.
In the fourth room we wanted to create a desert-like atmosphere. Prints were sewn together like parts of a bedouin tent, and used to create a new space inside the museum. While walking through the new ‘corridors’, the camel could be observed through the cuts that were made in the paper.
Source: Russian candy wrapper (camel milk toffee?).
The screen was exposed 1:1 using a this papercut. Aterward, the centerpart of the prints were mostly cut out.
See also Love’s Lucious Slumber