(In)discernible (Ir)regularities
My first ‘Magical’ Riso print ever, based on photographs taken earlier this year at InkstStation. Tastes like more!
Living Giving – 3/3 – Catalogue
2016
Biennale Gelderland 2016
152 x 225 mm (closed)
Offset
RikkenPrint, Ghendt
1250
Living Giving – 2/3 – Flags & Banners
Made to measure banner at Museum Arnhem garden.
2016
Biennale Gelderland 2016
various
CMYK inkjet
Idem Dito, Arnhem
70 meters of prints fabric and plastic
Living Giving – 1/3 – Process & Print
Living Giving
Biënnale Gelderland is alternately being organised by Museum Het Valkhof Nijmegen and Museum Arnhem. This year, Biënnale Gelderland is taking place in Arnhem. The museum has invited Hanne Hagenaars as curator. Theme: Living, Giving!
High Spirits
On september 24, Maarten Verweij (left) and I exhibited at the portiersloge (porter’s loge at the entrance of this former militairy area) during Code Rood. Maarten showed some of his autonomous prints which I tried to match in color or atmosphere.
Curdin Tones Achter de Ramen
Poster for show at a local neighbourhood gallery, Borneo Eiland, Amsterdam.
Curdin Tones Achter de Ramen
2016
A2
Screenprint
Kees Maas, Amsterdam
25
Dusky bird – 3/3 – Printing
Grind the Gap project
2016
Plaatsmaken
Screenprint, each sheet 4-5 x black, 1 x opaque white ink
Separate sheets 92 x 126 cm
Harmen Liemburg at Plaatsmaken
12 unique prints
Dusky Bird – 2/3 – Process
Nightjar in woodgravure, from Brehm A.E. (ca. 1911). Das Leben der Tieren, found in the library of Centre for Biodiversity Naturalis in Leiden.
Dusky Bird process, part of the 2016 Grind the Gap project.
Dusky Bird – 1/3 – Research
Nachtzwaluw, image from Burton P. (1977). Het vogelboek. (Illustraties Peter Hayman et al).
Research for Dusky Bird, part of the 2016 Grind the Gap project.
Harmen Arnhem
2016
A5-ish
3 color screen print on 300 grams/m2 cardstock
200