Inferno
Inferno (Graphic Design Worlds – Print 2/5)
2011
H 1189 x W 841 mm
4 colour screenprint on 120 grams/m2 Natronkraft paper
20 signed and numbered prints out of 50 prints total
La Più Grande
La Più Grande (Graphic Design Worlds – Print 1/5)
2011
H 1189 x W 841 mm
4 colour screenprint on 120 grams/m2 Natronkraft paper
20 signed and numbered prints out of 50 prints total
Dedicated To Print
Dedicated To Print
2010
H 1189 x W 841 mm
3 colour screenprint on 115 grams/m2 Lithomat paper
20 signed and numbered prints out of 70 prints total
KiKiRiKi at Happy Street
Happy Street mini model & logo by John Körmeling
KiKiRiKi at Happy Street
Dutch Classics by Dutch Designers, curated by Edwin Vollebergh, Studio Boot.
Part of Happy Street, the Dutch Pavillion at the World Expo 2010 Shanghai, China, designed by the unsurpassed architect/artist John Körmeling.
Sweet & Viscous
Sweet & Viscous
2008
H 1189 x W 841 mm
3 colour screenprint on 120 grams/m2 Natronkraft paper
20 signed and numbered prints out of 60 prints total
EyeLoveCandy
Work (previously made for Crispy Cloud Combini Installation) at EyeLoveCandy show.
Stichting KOP, Breda, September 2007
You Tell Me Summer’s Here
You Tell Me Summer’s Here
We Are Plus
2006
12 x 12 inches (3 slipmats and sleeve)
Polyesther felt, glue, sewing
A Nice Set is a touring exhibition of sets of slip mats by 33 1/3 artists & a book. Curated by We Are Plus, concept in collaboration with the reed space & published by IdN.
The Urban Forest Project
Various implementations of the National Park Service System logo provided keyelements for my contribution to the Urban Forest Project at New York City’s Times Square, Fall 2006,
Alchemy
Alchemy
2003
70 x 100 cm
3 colour screenprint on the wrong (etching) paper
25
at Grafisch Atelier Daglicht, Eindhoven
Special Souvenir Print.
Nameless Swirls, An Unfolding In Presence. A collaboration of Jennifer Tee with Erwan Maheo, Roy Cerpac & Harmen Liemburg. Van Abbemuseum, Eindhoven, September 12 – November 23, 2003.
The Crying Camel
From E*V*O*L E*Y*E-LAND*S*-END, a book made by Richard Niessen for Jennifer Tee’s participation in the 2004 Sao Paulo Biennial in Brazil.
The Crying Camel
2003
W 100 x H 70 cm (individual prints)
1 colour doublesided screenprint on black paper
Kees Maas
Design and print on fabric for object.
Nameless Swirls, An Unfolding In Presence. A collaboration of Jennifer Tee with Erwan Maheo, Roy Cerpac & Harmen Liemburg. Van Abbemuseum, Eindhoven, September 12 – November 23, 2003.