Maharam Digital Projects
Maharam, the high end manufacturer of interior fabrics, asked me to submit several designs for Maharam Digital Projects.
Workshop with Ryan O’Malley
Workshop with Ryan O’Malley
Davidson College, College of Art, Davidson NC, February 28 – 29, 2009
Ultralight at UNCC
Ultralight at University of North Carolina Charlotte (UNCC)
Exhibition
Wednesday, January 21, (Opening Reception), 7:00 – 9:00 pm
Rowe Arts Building Foyer and Side Gallery, January 22 – February 13, 2009
Ultralight – Box Construction
Ultralight is a Selfcontained Show-In-A-Box, containing prints, lights and other components. Easy and flexible to curate. Can be installed by students as a schoolproject.
Paradiso Posters
Paradiso Posters design by Max Kisman, screenprinted by Kees Maas.
Paradiso Posters 1968 – 2008
Tekst (in Dutch) Harmen Liemburg for Items 1/2009
Small Studios
Work featured in Small Studios
Small Studios
Editor & Design: Jianping He
Staff: Katharina Wanner, Annika Wolfzettel , Susann Szilágyi , Simone Amrein, Magdalena Leupold
Softcover, 738 pages, 16 x 24 cm
Publisher: PageOne (Singapore) & Hesign (Berlin/Shanghai), Berlin, Jan. 2009
Cuckoo – 2/2 – Realization
Façade seen from the inside (detail): two printed glass panes with additional images and some space inbetween create a dynamic watery impression.
Title Cuckoo
Project Art for Fletiomare swimmingpool
Client Gemeente Utrecht
Year 2007 – 2009
Technique Screenprint on glass panels, transfers on ceramic titles, screenprint on foil
Architect Slangen & Koenis
Advisor Theo Tegelaers
Cuckoo – 1/2 – Process
Title Cuckoo
Project Art for Fletiomare swimmingpool
Client Gemeente Utrecht
Year 2007 – 2009
Technique Screenprint on glass panels, transfers on ceramic titles, screenprint on foil
Architect Slangen & Koenis
Advisor Theo Tegelaers
Serendipity
Serendipity – Found posters
Text (in Dutch) Harmen Liemburg for Items 6/2008
Toeval en scherpzinnigheid
Voor Roma Publication #110 maakte grafisch ontwerper Hans Gremmen een selektie uit de verzameling ‘inschietvellen’ van zeefdrukkerij Wyber Zeefdruk in Amsterdam. Dit zijn vellen die Paul Wyber gebruikt om afdrukken te maken voor zijn opdrachtgevers. Het is werkmateriaal, gebruikt om op kleur te komen, de stand te bepalen of om de zeef schoon te maken.
Screen to Screen Dialogue
Interview by Chris Reinewald on the occasion of the first viewing of my travelling show Ultralight, at the University of North Carolina Charlotte (UNCC), January 2009.
Screen to Screen Dialogue
At the beginning of the 21st century it seems as though the art of fine printing like other applied arts, such as textiles, ceramics and glass, is slowly sliding away into the valley of oblivion. It will probably survive for a short while as an activity only to be performed by diehards, a.k.a. crafts artists. This is totally understandable. Who would bother to mess around with ink, paper, acid, screens or stones, or a printing press when the computer and digital print technologies enable us to work with clean hands?